Services / Dailies

Dailies Lab

At our facility, your rushes flow through a full-featured pipeline: secure media offloads with verification, transcoding, sync, and dailies grading. Metadata management, QC, VFX pulls, and conform workflows are included by design. Editorial proxies and review files are delivered securely, with optional LTO-7 or LTO-8 archiving for long-term data security.

Everything is handled on-site at our Vienna-based Dailies Lab — colorwise.

Data Management & Archival

  • Checksum-verified offloads
  • Redundant storage pipeline: NVMe ingest → RAID → LTO 7/LTO 8 backup
  • Long-term LTO archival with cataloged indexing for future recall

Dailies Grading

  • Dailies grading
  • CDL/LUT application consistent with DoP intent and final grading workflow
  • Full support for P3, Rec.709, ACES, HDR, and custom color workflows

QC & Metadata Integrity

  • Frame-level visual QC and audio sync checks
  • Metadata logging
  • Conform-prep deliverables for seamless handoff to editorial and online

Transcode & Sync

  • Fast transcode to editorial formats
  • Audio sync, slate overlays, and burn-ins
  • Camera metadata and look data (LUT/CDL) embedded or delivered separately

Review & Delivery

  • Secure upload to web dailies platforms
  • Editorial-ready proxy files with burn-ins
  • On-site screening available for DoP or director review
    (P3, Rec709 – See studios)

VFX Pulls & VFX Shot Integration

  • Delivery of EXR/DPX VFX plates with handles, slates, overscan
  • Pull list generation (EDL, ALE, XML with frame/timecode ranges)
  • Reference files with applied CDL or LUT for artist guidance
  • Reintegration of final VFX shots into the edit timeline
  • Final conform sequences prepared for grading and client review

Conform Pulls (Finishing Support)

  • Source media trims based on locked edits (EDL/XML/ALE)
  • Handle-inclusive high-res pulls for online editorial and grading
  • Optional archive matching and version-controlled exports

Why Dailies Matter

Dailies shape how a film is experienced throughout production. They’re often seen longer than the final grade and can unintentionally set a visual baseline that’s hard to break later. If the look doesn’t match the creative intent from the start, it limits choices down the line. That’s why dailies grading should reflect where the project is headed — not just what was captured.

When we’re also grading the film, we approach dailies like a first pass — shaping the image with the same care, just under tighter time constraints. That early work doesn’t go to waste; it forms the foundation for the final grade, streamlining the process and reducing both time and budget in post.

 

Why Work with colorwise

We get involved early — developing the look, creating LUTs, and setting up the camera pipeline to align with your visual intent. We support the shoot with remote or on-set DIT services, manage VFX pulls and conform during editorial, and take the project through grading and final delivery.

From prep to finish, we stay connected — creatively and technically — to ensure the look evolves without compromise.

Impressum

Firmenwortlaut: colorwise e.U. (FN 643994a)
Inhaber: Fatih Öger
Firmengericht: Handelsgericht Wien
Firmenbuchnummer: 643994a
GLN: 9110028917653

Gewerbewortlaut: Filmproduktion
Berufszweig: Filmproduktion, inkl. der Herstellung von Multimediaproduktionen
GISA-Zahl: 33962016
Behörde gem. ECG (E-Commerce Gesetz): Magistratisches Bezirksamt des V. Bezirkes
Adresse: Gartengasse 21/1, 1050 Wien (Margareten)
Seit: 29.06.2021 (kann vom Gründungsdatum abweichen)

Telefon: +43 650 803 93 38
E-Mail: info@colorwise.com
Website: colorwise.at

UID: ATU77159156
Steuernummer: 04 545/8536

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